The Four Kinds Of Dystopia - Which One Is Yours?

www.zerohedge.com | 2/13/2017 | Staff
EGFZE (Posted by) Level 3
The twentieth century saw four basic visions of **** on earth, or dystopia.

These were:

Rule - People - Party - Group - Limitation

Orwellian. Rule by autocratic totalitarian people, party or elite group, limitation of choice, repression of speech and repression of minorities, belief in order, routine and rational-morality. Control by enclosure, fear and explicit violence. Violent repression of dissent (via ‘the party line’). Erotic physicality and sexual freedom suppressed via control of sexual impulses. Control of thought by explicitly policing language (Orwellian Newspeak).

Huxleyan Rule by democratic totalitarian systems, excess of choice, limitation of access to speech platforms, assimilation of minorities, belief in emotional-morality, ‘imagination’ and flexibility, and control by desire, debt and implicit threat of violence. No overt control of dissent (system selects for system-friendly voices). Erotic physicality and sexual freedom suppressed via promotion of pornographic sensuality and dissolution. Control of thought by implicitly enclosing language within professional boundaries (Illichian Newspeak, or Uniquack).

Kafkaesque - Rule - Bureaucracy - Control - Populace

Kafkaesque Rule by bureaucracy. Control of populace via putting them into writing, forcing people to spend free time on bureaucratic tasks, thereby inducing tractable stress and the schizoid, self-regulating self-consciousness (anxiety about low marks, unlikes, official judgements and the like) that bureaucratic surveillance engenders. Generation of a system which structurally rewards those who seek an indirect relationship with their fellows or who, through fear of life, seek to control it through the flow of paperwork.

Phildickian Rule by replacing reality with an abstract, ersatz virtual image of it. This technique of social control began with literacy - and the creation of written symbols, which devalued soft conscious sensuous inspiration, fostered a private (reader-text) interaction with society, created the illusion that language is a thing, that meaning can be stored, owned and perfectly duplicated,...
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