THE GYMNASIUM FOR UNDERUSED IMAGINATIONS

spectrummagazine.org | 12/10/2019 | Staff
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I suppose I write about the need for imagination so often because I’m never confident that I have enough to see me through to the end of the sentence I have begun. All writing is a movement of discovery, never more so than when we are diving into the waters of memory and hope, the springs which feed my need to write.

When I was growing up with my grandparents, inveterate readers themselves, I was encouraged to read early and often. They weren’t keen on comic books, however, so I grew up without those, and we didn’t have a television until I was in high school — and then only for 60 Minutes and National Geographic specials. They were also suspicious of most fiction, seeing “made up” stories as a distraction from soul-building and a waste of time. An exception was made for poetry, however, and I darted through that doorway to the Victorian and Romantic poets first, and then to Frost, Poe, and many others in The Pocket Book of Modern Verse and Immortal Poems.

Lot - Fiction - Doors - Beginnings - Reservoir

But I read a lot of fiction anyway behind closed doors. I read indiscriminately; not deeply, but enough that I had the beginnings of a reservoir of the Western canon to draw from as I wrote through high school and college.

Reading Hemingway, Faulkner, Tolstoy, Gardner, Vonnegut, Bellow, and others widened the limits of what was possible for me to imagine. It seemed the most wonderful thing to see a character in one’s mind and to follow that person through the moments of her life. The creation of such a character and the growing sense of one’s faith seemed like parallel paths, each asking for the next step to be taken without certainty, but rather with the allure of possibilities.

Way - Writing

In the same way, I see the writing...
(Excerpt) Read more at: spectrummagazine.org
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