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A Netflix requirement that cinematographers capture films in HDR, or high dynamic range, has taken many by surprise, filmmakers say, but those at the 27th EnergaCamerimage festival in Poland seem increasingly accepting of the change.
DP Roberto Schaefer, whose “Red Sea Diving Resort” screened at the cinematography fest in the historic city of Torun, said the new rule could benefit the viewing experience for TV viewers but also noted he only learned of it at the last moment on his most recent production.
Schaefer - Camerimage - Red - Sea - Diving
Schaefer, at Camerimage to screen “Red Sea Diving Resort,” the fact-based feature about a Mossad operation to rescue Ethiopian Jews from persecution, said HDR should be planned from the start of production.
“It’s about communication,” Schaefer said, speaking at a panel on closing the gap between technical and creative concerns sponsored by the American Society of Cinematographers, Netflix and IMAGO, the European federation of cinematographers.
Schaefer - People - Just - Range - Footage
“You really should be told,” Schaefer said. “I hope people are informed.” Just how much the dynamic range of footage should be enhanced is unclear under the Netflix rule, said several cinematographers.
Other DPs agreed Netflix should communicate such changes to filmmakers well in advance of production shoots.
Jimmy - Fusil - Netflix - Manager - Technologies
Jimmy Fusil, Netflix manager of creative technologies and infrastructure, acknowledged that communications could be better but insisted the streaming giant respects cinematographers’ work and is invested in getting its viewers “authenticity in the representation” of their vision. “We want what you want,” he added.
Another sticking point many DPs are reckoning with these days is the widespread use of streaming...
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