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“On Becoming a God in Central Florida” is such a clever, compelling, and thorough evisceration of American capitalism it’s shocking Elizabeth Warren isn’t listed as an executive producer. Created by Robert Funke and Matt Lutsky, Showtime’s new hourlong black comedy does feature a few well-known progressive producers in EPs George Clooney and Grant Heslov, but the ’90s-set story of lower-middle class Floridians put to ruin by a pyramid scheme isn’t solely a political statement; it chronicles a tragedy in action, as the promise of the American dream is ripped away from those who believe in it — and need it — the most. Like any great satire, you won’t be able to tell if you’re laughing so hard it hurts, or if you’ve just been punched in the gut.
The awesome Kirsten Dunst (also an EP) is the story here, bringing a captivating vitality and unflinching veracity to her lead character, Krystal Stubbs. A the beginning, however, the starry-eyed dreamer is embodied by none other than a mullet-sporting, profusely sweaty (like, Justin Theroux-level sweaty), and stunningly unfashionable Alexander Skarsgård. Travis Stubbs, husband to Krystal, is a frustrated insurance salesman who’s become discontented with his one-story house, compact car, and average lifestyle. His wife clocks in and out at the local water park while he slaves away at two jobs: his nine-to-five desk gig and spearheading his own company — well, not exactly his own company.
FAM - Brethren - Travis - Boss - Tall
Though his FAM brethren would remind Travis he’s absolutely his own boss, the tall, lanky, former football star still spends his nights making door-to-door deliveries, stocking boxes in his garage, or recruiting new “downlines” — aka “independent contractors” who give part of their profits to Travis, who in turns gives part of his cut to his “upline,” and so on and so forth.
They’re all hocking Founders American...
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