All of Quentin Tarantino’s Movies Ranked

Variety | 7/22/2019 | Peter Debruge
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In the history of cinema, has any director done more to elevate the idea of movies as cool than Quentin Tarantino? Certainly, the idea that films could be made by fans dates back at least to the French New Wave, when a group of die-hard critics stepped behind the camera. A few years later, Spielberg, Lucas and a generation of film-school brats riffed on what had come before. But it took a former video store clerk and B-movie savant to sift through genres that weren’t taken seriously in their time and reconfigure their DNA in such a way that made them hipper than ever. The way his characters talked — and more importantly, the subjects that preoccupied them — gave audiences permission to geek out about movies (and the meaning of Madonna songs), and each new project brought a fresh appreciation of some arcane corner of film culture. But how do they stack up against one another? With nine features to his name (Tarantino counts “Kill Bill Vol. 1 and 2” as one film, but we’ve assessed them separately) and possibly just one more to come, Tarantino has crafted an oeuvre ripe for debate. Variety’s resident cinephiles, Peter Debruge and Owen Gleiberman, have done just that, ranking his filmography and weighing in on one another’s assessments.

Owen Gleiberman: The one Tarantino movie that never conjures Quentin’s joy. The extended slow-poke stagecoach ride that gets things rolling seems to be planting the seeds for a tricky drama of one-upmanship, but once the film arrives at a giant log cabin in the middle of the wintry nowhere, it turns into a variation on “Ten Little Indians” that’s more malevolent than clever, with characters so ill-tempered that you’re only too happy to see them knocked off. Tarantino grew fixated on the film’s 70mm cinematography,...
(Excerpt) Read more at: Variety
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